Showing posts with label VaVeSu. Show all posts
Showing posts with label VaVeSu. Show all posts

Thursday, 25 June 2015

Rajaji, the writer

The May 2015 lecture of Tamil Valaratha CaanRor (தமிழ் வளர்த்த சான்றோர்) was about Rajaji. Kalki editor Venkatesh shared the stage with Dr VaVeSu. Rajaji’s contribution to the freedom movement, to administrative reform, to social reform, his sufferings and spirit of sacrifice are all worth discussing, but I will avoid them in this lecture, which will only focus on his contributions to Tamil, said VaVeSu, in his introductory remarks.

Rajaji wrote 54 books in Tamil!

He refused to heed Kalki's call to write an autobiography : he asked if great writers like Kamban, Kalidasa wrote about themselves. My work should speak for me, he quipped. Biographies on Rajaji have been written by others, including famously, by Rajmohan Gandhi, his own grandson, whose other grandfather was MK Gandhi.

One of his colleagues asked whether Rajaji did not have free time when he was Governor General ? No, Rajaji retorted, his time was mostly spent resolving conflicts between the PM Nehru and the Deputy PM Patel

He asked Thiru ViKa to write a foreword for Tamil book "Socrates." (சாக்ரதர்) 

Never asked anyone else to write a foreword for any of his other books.

Rajaji never made any references to himself in any of his books, said VaVeSu, with one significant exception. In the middle of his Tamil series Ramayana, titled “Chakkaravarthi Thirumagan (சக்கரவர்த்தி திருமகன்), which later came out as a book, he noted that Rakshasas were considered vile people who often behaved in the basest manner, but nowhere had Kamban referred to Tamils as being of the Rakshasa race. But nowadays (in the 1950s) there are people who claim themselves to be descendants of these same Rakshasas. This was mocking the claim of  a section of the Dravidian movement at that time.

Saying Tamil is deficient in sounds is like a customer of a second hand shirt complaining about its lack of fit.

Using words like motor in Tamil is ok, but words like time and speed, for which there are Tamil words, is like a patient used to disease, and believing that is the normal condition of the body.

We both fish in the same pond says VaVeSu, but I used a thoondil (fishhook) and Kalki Venkatesh used a net.

Rajaji explained the differences between Kamban – “lyric with glitter” and Valmiki – “blank verse” (like Tamil agavalpaa!)

Gopu’s Notes


I left the program after an hour because I wanted to watch the IPL finals between Mumbai Indians and Chennai SuperKings, which the latter lost in a lopsided contest. These talks are recorded on video, so may be available on the net.

This is perhaps the most frivolous of my blog posts, especially considering how much I admire Rajaji, and how much more I could write on him from my own readings. Rajaji fascinates me as the only national leader other than Bala Gangadhar Tilak to write about science, that too in Tamil. He was the strongest voice, perhaps lonely voice, against the rampant socialism of Nehru and an island of free market advocacy in a murky ocean of communist propaganda. But I am merely sharing some quotes which I jotted down during the lecture.

I think the Tamil title of Rajaji's Ramayana Chakkaravarthi Thirumagan (சக்கரவர்த்தி திருமகன்) was deliberately self-referencing. He belong to the Nallan Chakkaravarthi clan and could well claim the title or epithet for himself.

Metaphors Rajaji was a master of the metaphor, especially in coining new ones. The two examples above barely scratch the surface. That deserves a separate study.

Related Posts


3. Athiyaman's blog on Rajaji and Capitalism

Wednesday, 24 June 2015

Vai Mu Kothainayagi

There is a monthly series of lectures underway at Krishna Gana Saba, titled Tamil Valartha CaanRor தமிழ் வளர்த்த சான்றோர். The primary speaker is Dr Va Ve Subramaniam, former Principal of Vivekananda College, Madras. He shares the stage with another speaker, and they discuss the contributions of various writers or artists – exemplars (caanRor சான்றோர்) –  of the 20th century, to Tamil literature. The include U Ve Swaminatha Iyer, Kothamangalam Subbu, Periyasami Thooran, Thiru Vi Ka, Avvai Shanmugam, Papanasam Sivan, Rajaji, AK Chettiar etc. I have attended a few lecture and found them delightful. Here are some notes from Dr VaVeSu’s lecture on Vai Mu Kothainayagi. Tiruppur Krishnan shared the stage with him.

Notes from the Lecture 


VaiMuKo was an early writer, when prose and print were just coming into their own in Tamil. Novels were the rage, and reflected the religious overtones of the Brahmins who were some of the early novelists. In one case,18 pages of prayer in a novel, in the times of VaiMuKo.

When she met Gandhi, she switched to wearing khadi, though she used 9 gaja lengths. She wore the Iyengar saree for the rest of the life.

An attempted murderer of VaiMuKo who had a change of heart, was given refuge by her, since he was concerned that the Justice Party people who engaged him, would kill him for not going thro.

She never joined any party though she was an ardent supporter of the Congress and the freedom movement. Tirupur Krishnan compared her to Kodi kaatha Kumaran's wife, who was widowed at 12 and died at 96 but never joined any party. Rajaji praised VaiMuKo as an example and influence on all women.

Reflecting her strong religious beliefs, she wrote severe protests against atheist movement in her novels.

She was a path breaker with her magazine JaganMohini. VaVeSu said that she encouraged a 100 other women writers. Her feminism not of sexual freedom, of quick divorce, not of belittling men but demanding equality. An activism of gentle reform - Bharathi's feminism.

An interesting incident narrated was VaiMuKo was singing a song of Subramanya Bharathi, in her house in Triplicane. This song could be heard on the street, and struck by the beauty of the singing, a passerby stopped and visibly enjoyed her music. This intrusion offended some people in the household, one of whom asked the gentleman to not intrude in such a manner. Upon which the passerby asked, “May I know whose songs the lady was singing?” Came the reply: “A great and talented poet, called Subramanya Bharathi.” To which the intruder drily retorted, “I happen to be that very same Subramanya Bharathi.”

Hysterical!

She could sing like MLVasanthakumari, MS Subbulakshmi, NC Vasanthakokilam etc. There was even an LP record of her singing about a mosquito! But since gramophone records became obsolete, this may be lost. 

After he became the Chief Minister, Kamaraj said, “I used to carry betel leaves for VaiMuKo; I'm in politics, because people like her are not.”

Kamaraj also promised that he would provide free education to descendants of freedom fighters, since VaiMuKo requested him to do so. This was narrated by her grandson, Krishnan, in attendance, who said that he studied in Vivekananda College because of that scheme.

Gopu’s Notes

The first time I heard of VaiMuKo was when I read an English translation of her short story in The Hindu’s monthly Literary Supplement. This was in the form of letters written by Sita, to her parental home in Mithila, after she had settled down in Ayodhya. They were written in the style of a Tamil Brahmin bride of the early 1900s, and involved drying vadaams on the roof, conversations with her mother-in-law, events in the palace etc.

I wonder if there is any truth to that alleged episode of attempted murder, or whether a faction of the Justice Party was indeed behind it. Oddly, it reminded me of the story of the murder attempt on SriVaishnavite acharya Ramanuja by his own teacher Yadavaprakasa.


It also seems strange that VaiMuKo’s family would not recognize Bharathi, who after all lived in the same Triplicane, right across the temple.

Related Essays