Showing posts with label Chalukya. Show all posts
Showing posts with label Chalukya. Show all posts

Sunday, 6 February 2022

Nagaswamy - 8 Pallava Influence on Chalukya Art

Vikaramaditya Chalukya Kannada inscription
Kanchi Kailasanatha temple
Photo: Swaminathan Natarajan

An inscription of Chalukya Vikramaditya on a pillar in Kanchi Kailasanatha temple, talks of Srimad Anivaarita Punyavallabha. Scholars have remarked on the striking resemblance between Kanchi Kailasanatha temple built by Rajasimha Pallava around 725 AD and the Virupaaksha temple called of Pattadakkal, built by Vikramaditya’s queen Lokamadevi. This temple was originally called Lokesvara. Nearby is the Trailokyesvara temple built by Lokamadevi’s sister Trailokyamadevi, another queen of Vikaramaditya. This latter temple is now called Mallikarjuna temple.

Vikramaditya Chalukya inscription
Virupaksha temple, Pattadakkal

Two Kannada inscriptions on the pilasters of Lokesvara (or Lokamadevishvara) temple were reinterpreted. One stated that Gundan Anivaarita Achaari was the architect who built the northern side of the temple. This is similar to the name of the scribe of the Chalukya inscription in Kanchi Kailsanatha temple.

The other says the southern side was built by Sarva Siddhi Achaari.

The Kanchi inscription notes that Vikramaditya entered the city without causing any destruction (Kanchim avinaashyaiva pravishya काञ्चीं अविनाश्यैव प्रविश्य ). Later it reads:

Narasimha varmaNa nirmita sila maya Raajasimheshvaraadi dEvakula prabutha suvarNa raashi pratyarpaNopaarjitaH puNyaH

नरसिंहवर्मण निर्मित सिल मय राजसिंहेश्वरादि देवकुल प्रबूत सुवरण राशि प्रत्यर्पणोपार्जित पुण्यः

He returned the wealth and the jewellery, to the temple itself, astounded by its beauty. Until recently, scholars attributed the resemblance of the Lokesvara  temple to Vikramaditya, but no doubt the architect of the temple had a great role

While the Pallavas and Chalukyas fought bitterly on the political and military levels, they inspired each other in the fields of art and culture, Nagaswamy concludes.

Left: Lokeshvara or Lokamadevishvara (Virupaksha)
Right: Trailokyamadevishvara (Mallikarjuna)

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This essay is one of a series of summaries of papers presented in international seminars by Dr Nagaswamy. The summaries in this series were presented by me at a lecture titled Nagaswamy - Beyond Borders at Tamil Heritage Trusts' Pechu Kacheri 2014 at Tatvaloka, Chennai.

My blogs on history

My blogs on art  

Kanchi Kailasanatha temple

Pattadakkal Virupaksha (Lokamadevishvara) temple

My lecture on Kailasanatha temple


Saturday, 6 February 2016

A Timeline of Sanskrit literature





Color Key
Blue rectangle - Ruling dynasty
Green rectangle - Poet or author and composition
Red letters - name of book (kaavyam)
Black letter - poet's name
Blue letter - name of poet who was also the king then
Italics - BrhatKaavyam

This is a rough timeline of some medieval literature in Sanskrit - this was borne out of trying to understand if there are connections between literature and sculptural art, during our Tamil Heritage Trust's October 2015 to January 2016 preparatory meetings for our Site Seminar of Chalukya sites, Badami Aihole Pattadakal and Mahakuta, which we just finished in January 2016.

One interesting discussion was about LaghuKaavyam and BrhatKaavyam.

Bhaaravi's Kiraataarjuniyam, Maagha's Sishupaala Vadham which are roughly contemporary and the much later Naishada Charitam of Sriharsha are considered BrhatKaavyaas (Big epics). Kalidasa's Raghuvamsham and Kumarasambhavam complete the set of five great epics.

Other works are considered LaghuKaavyas (smaller stories). A beautiful poem in Sanskrit links these poets and their styles with Dandi, a poet in the Pallava kingdom, who composed Dasakumara Charitam and Avanti Sundari Katha.

उपमा कालिदासस्य  भारवेः अर्थगौरवम् ।
दण्डिनः पदलालित्यं माघे संति त्रयंक्वचित् ॥
upamaa kaalidaasasya bhaaravEH arthagauravam 
dandinaH padalaalityam maaGhE santi trayamkvacit 
For metaphor Kalidasa
Profound Meaning, Bharavi
For  Wordplay Dandi …
Maagha, for all three!
I think timelines help us visualize or order history better than text,
or even tables. I've seen some timelines in history books, but they
are quite detailed and over such a long time period, so they can be
hard to follow for the general public. I wish historians of politics
and culture used timelines to help us understand some of these
events better. From what I have seen, historians of science and
technology use timelines well - but they rarely relate to them to
political or cultural history.

Correction: May 2, 2019 I have moved Kalidasa, composer of Shakuntalam and Raghuvamsham, from the fifth century AD to first century BC, which I believe is his correct time period.

Related Links

1. Karnataka and Tamilnadu - Political timelines 
2. Gujarat and Tamilnadu - Political timelines 
3. Aihole Meguti inscription (Tamil essay) - Pulikesi, Bharavi and Kalidasa

Friday, 1 January 2016

Karnataka and Tamilnadu Timelines

This is a very broad and imprecise comparison of the dynasties that ruled Tamilnadu and Karnataka from the known historical sources. I drafted this for a lecture on temples, as part of Tamil Heritage Trust's January 2016 Seventh site seminar, tentatively titled Pattadakkal Pravesham.

A more detailed and precise timeline of these dynasties may be more useful for those history enthusiasts. This is similar to the Gujarat-Tamilnadu timeline I prepared earlier for our Fifth Site Seminar to Gujarat.

Related Essays

A Timeline of Gujarat and Tamilnadu
San Francisco Botanical Gardens - A Brief History of Plants
Athiranchanda Surprise - on Mamallapuram's history
Vaishali
Madras - India's first modern city